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C O N T E N T
volume 11 year 2018
Chapter 1 Pages
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Yelyzaveta Chorna
Silence factor in the composer’s idea of the cycle “Window to Music” by A. Karamanov
 6-13
Dubka O.
The sonata for the trombone and piano opus 41 by Paul Hindemith: a monumental and concert representation of the genre.
 14-32
Kapliyenko-Iliuk Yu.
Stylistic features of Joseph Elgiser’s work: figurative, thematic and genre aspects.
 33-48
Liu Ning
The reflexive component of the chamber-vocal style of N. Lysenko
 49-60
Chapter 2
Sukhlenko I.
The style dominants of the performing concept of a musical work.
 61-71
Kuchma N.
«The sound image of the instrument» in the performance concept of a music piece».
 71-87
Yermak I.
Jakob Wragg’s treatise «Improved Flute Preceptor» in the context of the theory of flute performing art of the second half of the 18th century.
 88-114
Lermontovà O.
Timbre-articulatory features in the domra performance (on the material of editorial transformations of violin music).
 114-132
Liu Yi.
Artistic representations in the vocalist’s performing practice (on the example of chamber works of Chinese composers of the 20th century).
 133-155
Chapter 3
Kopot I.
The Zhytomyr Philharmonic in the Cultural Space of the City. 80 Years of the Activity
 156-173
Kasianenko I.
Kharkiv Circle of Ye. S. Miroshnichenko
173-190
Portnyj Yu.
Professionalization of piano performance in Khmelnytsky city (at example of activity of music college named after V. Zaremby).
 191-204
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