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C O N T E N T
volume 55 year 2019
Chapter 1 Pages
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Kopeliuk Oleg
Phenomenology of style as musicological discourse
7-21
Paliy Iryna
UNIONIQUE MUSIC AS A NEW PHENOMENON OF THE MUSICAL CULTURE: ANSWERING THE MAIN QUESTIONS
 22-32
Tyshchyk V.
Programmability projections in “The Ancient Kiev Frescoes” by A. Stashevsky for the button accordion
 33-49
Solyanyk M.
TheThirdString Quartet by B. Britten as a phenomenof the late composer style
 50-60
Makliuk D.
Ivan Mazepa’s personality as a cultural symbol: historicalperforming aspects
 61-76
Chyzhenko M.
Anatoliy Vasylyovych Kalabukhin: the phenomenon of a creative personality
 76-91
Yastrub Olena
Musical and educational activities of Mykola Lysenko as a phenomenon of self-identification of the national culture
 92-104
Chapter 2
Dniprovska N. S.
Rachmaninov. “Six choirs for children’s or women’s voices”: specific of interpretation of the genre
 105-121
Kamenieva Anna
Stylistic features of the choral concerto “Witchery songs” by M. Shukh.
 122-135
Motsarenko K.
Language of Metaphors as an Element of the Genre Idea of Bagatelles in the Musical Universe of V. Silvestrov
 136-154
Kharenko Alina
Musical dramaturgy as a creative method in jazz art: the example of the piano art by Sergey Davydov
 155-169
Chapter 3
Liu Xia
The specifics of the narrative in the opera genre
 170-183
Yan Haosyuan
Genre Liederabend in creative practice by J. Kauffmann
 183-197
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