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C O N T E N T
volume 9 year 2017
Chapter 1 Pages
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Shubina L. I.
Music History Department KNUA. Vectors of scientific activity.
15-34
Chapter 2
Cherkashina-Gubarenko M. R.
Kharkiv I. P. Kotlyarevsky’s National Univer-sity of Arts graduates of musicology in the walls of the P. I. Tchaikovsky National Musical Academy of Ukraine.
34-56
Kopot I. Y.
Museum of Boris Lyatoshinsky. Musicologist in the Province: the Life after the Conservatory.
 56-67
Pluzhnikov V. M.
From the History of Formation of Kharkiv School of Orchestral Conducting.
67-79
Savchenko H. S.
Harmony and measure: V. T. Borisov’s orchestral style (on the example of the First and Second symphonies).
80-92
Hrytsun Yu. M.
Later inspirations of the Master: “Lyrical music” for chamber orchestra and solo cello (after reading by K. Paustovsky) and Sonatina piccolo for string orchestra by Igor Kovach.
92-106
Dovzhynets I. H. N.
Leontovich capellas of Sumshchina within the framework of Soviet epoch art policy.
107-128
Chapter 3
Tyshko S. V.
About how composers of romanticism were discovering Orient: one caucasian episode from M. I. Glinka’s biography.
 129-159
Lashchenko S. K.
F. V Bulgarin and «Life for the Tsar» by Mikhail Glinka: private opinion and general prejudice.
 159-173
Zhdanko A. M.
N. Rimsky-Korsakov’s Cosmism in the Context of the pro-Ancient Aura of 19th Century’s Russian Culture.
174-196
Pidporinova K. V.
«The winter evening» by A. Pushkin in the composer reflections.
196-213
Mykhailova O. V.
P. Eluar’s poetry in F. Poulenk’s vocal miniature (from song cycle “Such a day such a night”).
 213-228
Kovalenko Y. B.
Genre Features of the Film Essay in the Context of Musical Expressiveness.
228-238
Chapter 4
Anfilova S. H.
Luigi Rossi’s “Orpheus” in Opera Anthologies of Early 17th Century.
239-257
Serdyuk O. V.
Henry Purcell’s «Dido and Aeneas» in performances of «choreographic theatre».
257-268
Ivanova I. L.
Intonational and thematic process in Schumann’s “Genoveva”.
269-287
Movchan V. Î.
Dramaturgic features of the opera «Saðho» by J. Massenet.
287-300
Mizitova À. À.
“Turandot” by F. Busoni – G. Puccini: two interpretations of C. Gozzi’s fairy tale.
300-318
Kuzmina Î. À.
Sociocultural preconditions for the children’s opera forming.
 318-333
Kasianenko M. A.
Experimental opera platform in Ukraine: from the history of unrealized project.
333-343
Chapter 5
Vierkina T. Â.
Problems of interpretation in modern piano music (discussing Fifth and Seventh sonatas by V. Bibik).
344-353
Volyk O. O.
Semantic Modes of Pianistic Formulas in the Genre sphere Prelude op. 28 F. Chopin.
354-365
Pupina O. Î.
Compositional, dramaturgical and pianistic means in the descrip-tive pallet of Ballade No. 2 by Franz Liszt
 365-378
Burel Î. V.
About French Violin Concertos at the last third of the 19th century.
378-398
Kucherenko S. ².
Specificity of the formation of the Ukrainian violin school and its influence on the creation of R. Gliere (on the example of “Seven artistic-instructive pieces” op. 54 for violin and piano).
 399-412
Metlushko V. O.
Tradition and innovation in pieces for clarinet solo composers of the twentieth century.
412-426
Sediuk I. Î.
W. Lutosławski – N. Paganini: the dialog in the playing context of the musical culture.
 426-440
Shadko M. Î.
Symbol-pieses in dramaturgy of “Makrokosmos” by G. Crumb
 440-455
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