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C O N T E N T
volume 19 year 2020
Chapter 1 Pages
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Bakhmet Tetiana
Archive fund of the composer Mark Karminsky
 10-28
Ivanova Yuliia
Children’s choir in MarkKarminskyi’s creativity
 29-43
Demchenko Aleksandr
Unique opera score by Mark Karminsky³
 44-64
Popova Liudmyla, Protsenko Olha
Genre and style features of creative heritage by Mark Karminskyi: educational and methodological aspects
 65-79
Bilokur Svitlana
Genre and stylistic complex of “Three Pieces in C Major” for piano by M. Karminskyi: compositional and performing aspects
 80-93
Chapter 2
Khai Mykhailo
Musical and instrumental culture of Ukrainians as a component of the formation of national outlook
 94-119
Bielova Yelyzaveta
Sound images of percussion instruments: modernity and retrospections
 120-139
Pastukhov Oleksandr
Bassoon in the 16–17 centuries: the issues of the bassoon practice development
 139-150
Melnyk Alla
Stylization of Baroque genres in the Ukrainian violin miniature of the early 21st century: specifics of musical consciousness formation
 151-168
Parkhomenko Dar’ia
“Musical gastronomy” in Rossini’s piano miniatures (on the example of the cycle “Quatre horsd’oeuvres et quatre mendiants”).
 169-188
Savchenko Íanna
Multifigure Technique in Igor Stravinsky’s Orchestral Composing of the Neoclassical Period (on the example of the ballet “Apollon Musagète”)
 189-205
Serdiuk Oleksandr
Karol Szymanowski and multiculturalism
 206-229
Mykhailova Olha
The figurative world of Florent Schmitt’s piano works (following the diptych “Mirages”)
 230-246
Sun Natalia
Sonatinas for Piano in the Context of Mao-Shuen Chen’s Composer and Pedagogical Activities
 247-267
Yang Fuyin
“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music
 268-284
Zhou Yi
Presentation of the Motherland image in the creativity of modern Chinese vocalists
 285-297
Zhang Ling
The genre of folk song arrangement at the present stage: cultural and historical aspect
 298-312
Fedorak Dar’ia
Hildegard of Bingen’s musical work in the aspect of the phenomenon of author’s style
 312-330
Chapter 3
Fedenko Alevtyna
The importance of M. Kropyvnytskyi’s children’s theater for the formation of a professional musical children’s theater in Ukraine
 332-345
Shchukina Yuliia
Oleksandr Ivashutych, a student of Les Kurbas, as a universal figure in the theater of musical comedy
 345-357
Panasiuk Valerii
Ideas’ stories and people’s stories in A. Zholdak’s directorial conception.
358-373
Fan Sin-Syuan
About the embodiment of humanistic values in the G. Presgurvic’s musical “Romeo and Juliet”
 374-391
Liu Jian
Musical dramaturgy of the Broadway musical on the example of “Aida” by Elton John and “Next to normal” by Tom Kitt
 392-410
Chapter 4
Stetsiuk Bohdan
The origins and major trends in development of jazz piano stylistics
 411-428
Voskoboinikov Yakov
George Gershwin’s jazz transcriptions in piano performance of academic tradition
 429-448
Ahisheva Kseniia
Three Preludes for piano by G. Gershwin in the context of the composer’s instrumental creativity
 449-465
Holotenko Pavlo
Jazz Avant-Garde by Cecil Taylor
 466-481
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