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volume 16 year 2019
Chapter 1
Pages
Pdf
text
Tsuranova Oksana
The role of N. Ilminsky and S. Rachinsky in the formation of the personality of S. Smolensky
10-25
Sadovnikova Olena
“Ne riday Mene, Mati” (“Do not mourn Me, Mother”): poetics, liturgics, hymnography
26-51
Shapoval Oksana
Theory of communication in the space of philosophy and scientific thought as a determinant of the analysis of R. Wagner’s creative process
52-76
Sandiuk Sergey
Paradoxes of L. Spohr
77-89
Pluzhnikov Victor
«Forgotten name... Yakov A. Rosenstein»
90-105
Chapter 2
Êàrachevtseva Inna
Stylistic phenomenon of Violin sonatas by Franz Schubert
106-125
Sokolova Lidiya
R. Schumann’s romantic “Fantastic Pieces” op. 88 – on the way to the piano trio
126-142
Kutluieva Daria
Piano quartets by F. Mendelssohn as a phenomenon of the Romantic era
143-157
Stanishevska Olena
The Interaction of Poetic Text and Music in Opus 49 by J. Brahms
158-169
Chapter 3
Burel Oleksandr
On Gabriel Pierné and his compositions for piano and orchestra
170-189
Chystiakova Katerina
Dramaturgical function of the orchestra in song cycle by Hector Berlioz – Théophile Gautier “Summer Nights”
190-206
Kashuba Denis
Chamberness in genre-stylistic field of Piano concertos by Johannes Brahms
207-224
Lysychka Oleksandr
Orchestral works of E. Elgar of 1910s as an attempt to renovate composer’s style
225-241
Savchenko Ganna
Orchestral composition multifigure as a principle of time and space organization of Ihor F. Stravinsky’s orchestral works (from early ballets to Symphony in C and Symphony in three movements)
242-258
Ivanova Irina
“The Confession” of a Child of the Century (Concerto for orchestra with solo viola by Anton Lubchenko)
259-280
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