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C O N T E N T
volume 54 year 2019
Chapter 1 Pages
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Ovchar О. P.
V. O. Bohdanov – an outstanding researcher of the history of wind art in Ukraine: his life and creative career
 8-23
Tsiuliupa S. D.
Doctoral dissertations of wind instruments musicians in Ukraine (the end of XX – early XXI century)
 24-39
Lynnyk M. S.
Rostislav Genika: performer, teacher, composer
 39-54
Chapter 2
Dubka O. S.
Sonata for the trombone of the second half of the 16th – the beginning of the 19th centuries in the context of historical and national traditions of development of the genre
 55-70
Martynova V. I.
Concerto for Oboe and Orchestra in the Works by Modern Time Composers: Aspects of Genre Stylistics
 71-93
Obolenska M. M.
The Accompanist as the Lord of Time (on the Example of Sonata for French Horn and Piano by Jane Vignery)
 93-107
Churikov V. V.
Concerto for saxophone and string orchestra by P.-M. Dubois: guidelines for performance
 107-122
Chapter 3
Tararak Yu. P.
The history of the origin and development of the trumpet: the organological aspect
 123-137
Ilienko M. M.
The «virtus» problem in musical performing
 138-154
Stetsiuk R. O.
Varietal instrumental style as a performance-related phenomenon (case study: saxophone)
 154-173
Kontsevych O. Yu.
Diary of performing mastership: the sphere of universal skills of modern trumpeter
 174-189
Konoval K. K.
The flute art in Kharkiv: the performing and pedagogical traditions
 190-201
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