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C O N T E N T
volume 52 year 2019
Chapter 1 Pages
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N. Mikhailova
Sergiy Prokopov: phenomenon of the creative personality
 6-21
Prokopov S.
J. S. Bach and G. F. Handel’s works performed by the choir of the Kharkiv National Kotlyarevsky University of Arts students
 22-37
Oleh Klendii
The Semantics of Virtuosity in Genre-Stylistic System of C. Saint-Saëns’s Album for Piano op. 72
 38-52
Wang Duangui
“The Eight Songs” by Zhao Jiping as the embodiment of the vocal and instrumental poem
 53-70
Lyan Tszitao
The opera “Siberia” by U. Giordano in the context of the composer’s creative work
 71-84
Zhang Guangqian
Composer Zhang Zhao: a look at the development of modern Chinese piano music
 85-100
Chapter 2
Radkevych Y.
The singer as the co-author: the features of the representation of Ukrainian folk songs in the concert and art space of the present
 101-118
Mits Oksana
Pedagogical system of piano technique evolution in the works of M. Moszkowski
 119-131
Nikolenko R.
The specifics of the ironic in the Marc-André Hamelin’s creativity on the example of “Variations on a Theme of Paganini”
 132-144
Lermontovà E.
Editing violin works for four-string domra as an artistic interpretation of the author’s text (in connection with the sound-making will of the performer)
 145-159
Han Siuebin
Early piano work of Sang Tong: becoming a style
 160-172
Zhu Fengdaijiao
The formation of the chamber-vocal style of Zhu Jian’er: early works
 173-187
Gigolayeva-Yurchenko V.
The role and specificity of vocal-performing universalism (on the example of the activity at MC “The Kharkiv Regional Philharmonic Society”)
 188-200
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