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C O N T E N T
volume 47 year 2017
Chapter 1 Pages
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Varavkina-Tarasova Nadiya
SPIRITUAL SYMBOLS IN THE CONTEXT OF THE MUSICAL TEXT (THE "ANTHEM OF UKRAINE" MUSIC BY VERBITSKY TO THE WORDS OF P. CHUBINSKY)
 4-14
Herasymenko Lesia
«Psalms of David» by T. Shevchenko in the aspect of genre implementations (on the base of Ukrainian choral music)
 15-30
Hladyshko A.
Archetype in musical culture as discourse of contemporary ukrainian musiciology
 31-43
Fedorak Dar³a
Hildegard of Bingen’s genre system of «Symphonia harmonie celestium revelationum» in the context of the medieval liturgical monody
 44-57
Ilyashenko T.
New folkloristic tendency in the context of the Donbas musical culture of the second half of the XX – beginning of the XXI centuries
 58-68
Shelkanova S.
The compositional-dramaturgic peculiarities of Symphony No 3: ‘Eschatophony’ by Valentyn Silvestrov
 69-81
Kameneva A.
Musically symbolics in choral work of M.Shuch
 82-92
Mikhaylova N.
Time and space in the stage-production decisions of choral scenes of musical performances
 93-106
Chapter 2
Ivanova I.
Periodization of works by Robert Schumann regarding evaluative opinions
 108-124
Kokhan L.
The first musical and drama club in Kyiv under the leadership of M. Staritsky and M. Lysenko (1871-1882)
 125-137
Pliushchenko M.
The oeuvre vectors of Alexander Nazarenko from artistic performance to the composer’s interpretation
 138-150
Tretyakov S.
The historical dynamics of the clarinet playing in Kharkov
 151-165
Rud P.
Three piano sonatas by Valentine Silvestrov: the context of the becoming of the composer’s style
 166-178
Chapter 3
Dyniak T.
The Spanish folklore in the context of the piano creativity of the Renacimiento’s period composers
 180-193
Bernat F.
Laszlo Szendrey-Karper and the traditions of the Hungarian guitar school
 194-208
Pastukhov O.
«16 Waltzes for solo bassoon» by F. Mignon: genre and stylistic transformations
 209-222
Deng Kaiyuan
Zhu Jian’era’s vocal miniatures: genre and stylistic features
 223-236
Sun Tyan
Concerto No. 1 for piano and orchestra of Huang An-Lun in the performance interpretation of Joseph Banovets
 237-251
Han Siuebin
The piano cycle of San Tong "Nine plays on the themes of folk songs": to the problem of interaction of Western European techniques of writing with Chinese folklore
 252-263
Qi Mingwe³
The classic heritage of European arts as the foundation for training an academic singer in China at the present stage
 264-276
Kurtbedinova L.
Interpretation of National Traditions in Landscape Lyrics by M. Khalitova
 277-291
N. Belichenko
J. S. Bach’s Magnificat in Es-dur, Bwv243a: dialogue with tradition
 292-308
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