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volume 21 year 2020
Chapter 1
Pages
Pdf
text
Hula Yevhen, Osadcha Alla
Features of the impact of design on the progress of humanity
8-22
Dzivaltivskyi Maxim
Historical formation of the originality of an American choral tradition of the second half of the XX century
23-43
Lian Yuanmei
“Dans Venise la Rouge…” by A. de Musset – Ch. Gounod: the “Venetian text” in French chamber vocal music
44-63
Panasiuk Valerii
«La Traviata» remastered. G. Verdi’s opera in the stage interpretation by V. Nemirovich-Danchenko
63-82
Liu Jian
Metamorphoses of Puccini’s “La bohème” in Jonathan Larson’s musical “Rent”
83-97
Yang Fuyin
The Canzone Napoletana Phenomenon in the reflection of scientific critical thought
98-112
Zhang Ling
The genre of folk song settings: the ways of interaction of traditional and professional musical art
113-123
Liu Xia
The ballad as a narrative genre of the chamber-vocal music
123-136
Zhou Yi
Verbal aspects of China’s vocal art system
137-149
Chapter 2
Írebeniuk Natali³a
F. Schubert’s last Piano Sonatas in the aspect of his song-like thinking
150-163
Kharakoz Hànna
On the genre and performance peculiarities of J. S. Bach’s choral fugue (on the example of comparative analysis of BWV 131 and BWV 131a)
164-179
Savchenko Hanna
Combinatorics as a constant principle of I. Stravinsky’s orchestral writing
180-193
Kashyrtsev Ruslan
The composer’s interpretation: the dialectic of inner and outer factors
193-217
Bondarenko Olena
Toccata and toccata style in Yurii Reshetar’s piano works
217-229
Zhang Guangjian
Problems of interpretation of the piano compositions byZhangZhao (on the example of the Fantasy “Pihuang”)
230-247
Zhang Xiqui
Interpretive properties of recitation in the vocalist’s performing arts
247-260
Yan Haosyuan
The phenomenon of the singing style of J. Kaufmann: theoretical aspect
260-278
Yakhno Olena
Vocal stylistics in rock music: dialectics of general and special
279-292
Liermontova Olena
The sound image of the domra in V. Solomin’s works as a representant of the sound image of modernity
293-308
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