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C O N T E N T
volume 18 year 2019
Chapter 1 Pages
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Ivanova I. L.
The Time-Space Dimension in mass and multifigure scenes of “Manon Lescaut” by G. Puccini
 8-24
Bielik-Zolotariova N. A.
Choral dramaturgy of the opera «The Way of Taras» by O. Rudianskyi: symbolism of chronotope
 25-39
Makliuk D. M.
Specificity of embodiment of Shevchenko’s image in Lev Colodub’s opera “Poet”
 40-57
Jiang Qin
The image of Oksana in the opera by N. Rimsky Korsakov “Christmas Eve”: a composer plan and a performing embodiment
 57-72
Lian Yuanmei
“Zwei Venetianische Lieder” by R. Schumann in the tradition of Austro-German romantic song
 73-88
Chapter 2
Batsak K. Yu.
Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries
 89-119
Daniliuk Ya. V.
The development of the art of the domra playing in Ukraine in the context of the revival of folk musical-instrumental culture at the turn of the XX–XXI centuries
 120-140
Mykhailets V. V.
The problems of vocal training in the conditions of modern choral art
 141-154
Chapter 3
Hatipova I. A.
Mikhail Vasilyevich Sechkin – Pianist, Conductor, Teacher
 155-170
Biliaieva N. V.
Îlexandr Litvinov – the founder of professional jazz education in Khark³v (milestones in life and career)
 171-190
Zhu Fengdaijiao
Zhu Jian’er’s life creativity: the historiography of the composer’s personality
 190-212
Chapter 4
Marynchak A. V.
Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)
 213-229
Liu Xia
The narrative in vocal music: the genre aspect
 230-242
Shevchuk B. M.
«Pictures at an Exhibition» by Modest Mussorgsky: the correlation of melos and colourfulness
 243-264
Tavakkol Ekhsan
Extra-musical content and ways of its embodiment in the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by Reza Vali
 264-280
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