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volume 17 year 2019
Chapter 1
Pages
Pdf
text
Shubina L. I.
«Actual intoning» in the vocalperforming practice of Tetiana Vierkina (based on the romance repertory)
9-33
Jerelianskyi P. (Velychko Yu. P.).
Equal among equals. Ukrainian women in historical and cultural context
33-43
Sukhomlinova T. P.
Choral creativity by Hanna Havrylets as a symbol of the togetherness of Ukraine (on the example of the musical and stage action “We will sow the Golden Stone”)
44-59
Yakymchuk O. M., Cherkashina O. V., Utesheva N. M.
Spiritual chants for the female choir a cappella by IrynaAleksiichuk: features of the interpretation of canonical text
60-73
Shchetynsky O. S.
Musical iconography of Annunciation: personal experience
74-89
Fedenko A.
The specifics of female characters embodiment in contemporary Ukrainian musicals and rock operas (on the example of Nataliya Sumska’s creativity)
90-102
Melnyk A. O.
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
102-115
Hordieiev S.I.
Theatrical and pedagogical foundations laid down by V. M. Chystiakova in the development of the imaginative world of the Ukrainian actor
115-129
Horelova V. S.
The Kharkiv actresses Polina Kumanchenko and Lidiya Krynytska in the image of a mother in the films “Human’s blood is not water”, “Dmytro Horytsvit”, “People don’t know the all” and “Lymerivna”
130-147
Kalenichenko O. M.
Interpretation of Gogol’s works on the puppet theater stage (based on the spectacle by Oksana Dmitrieva «May night, or Moonlight Witchcraft»)
148-162
Chapter 2
Mykhailova O. V.
Woman in art: a breath of beauty in the men’s world
163-180
Serdiuk O. V.
Maria Szymanowska as a recital pianist‑composer of the Romantic epoch
180-194
Macenka S. Ð
Literary Portrait of Fanny HenselMendelssohn (in Peter Härtling’s novel “Dearest Fenchel! The Life of Fanny Hensel‑Mendelssohn in Etudes and Intermezzi”)
195-212
Cherniavska M. S.
Clara Wieck Schumann in the European scientific discourse
213-231
Serdiuk Ya. O.
Amanda Maier: a violinist, a pianist, a composer – the representative of Leipzig Romanticism
232-248
Polska I. ².
«Exegi monumentum»: the reflection of Schumann’s images in the Variations by J. Brahms on the theme by R. Schumann op. 23
249-261
Kodenko I. I.
Concepts of Early Music Re-creation in Wanda Landowska’s Work
261-279
Klebanova S. V.
The vocal cycle “Facelia”: the experience of “sound existence” in Sofia Gubaidulina’s early creativity
280-303
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