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C O N T E N T
volume 15 year 2019
Chapter 1 Pages
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Kucherenko S. I.
Manifestation of the “personal school” phenomenon in the creative activity of an artist (on the example of A. Leshchynsky’s multi-vector practice)
 22-43
Metlushko V. O.
The peculiarities of the instrumental parts interpretation in “Four Pieces for Clarinet and Piano” op. 5 by A. Berg
 43-60
Kovalenko Yu. B.
Composition and improvisation in the aspect of the music infl uence on the expressive structure of the fi lm
 60-79
Chapter 2
Kalinina A. S.
Principles of interpreting P. Tychyna’s poetry in the vocal cycle “Enharmonic” by L. Dychko
 80-98
Anfi lova S. G.
In the shade of “beautiful style”: talking about the chamber vocal music pieces by G. Donizetti
 99-118
Mykhailova O. V.
Background. The diverse experience of artistic culture, refl ected in the established system of genres, appears in a new light from the standpoint of modernity as experts
 119-137
Chapter 3
Cherednychenko O. V.
Concert genres for piano and orchestra in the works of Sergei Bortkiewicz
 138-157
Pidporinova K. V.
Laughter as a direction of Marc-André Hamelin’s composer searches.
 158-180
Sediuk I. O.
Artistic and aesthetic ideas in “Plays” for two pianos by P. Dambis
 181-198
Shadko M. O.
Realization of the principles of sonor modality in “The Perilous Night” by J. Cage
 199-213
Chapter 4
Maksiutenko E. O.
The embodiment of the prose libretto in opera genre (on the example of the works by M. Mussorgsky, D. Shostakovich, S. Prokofi ev and G. Shantyr)
 214-231
Kuzmina O. A.
“The House That Jack Built” by Jessie L. Gaynor as an example of an English language operetta for children
 231-249
Mizitova A. A.
Marko Marelli’s vision of “Turandot” by Giacomo Puccini
 249-263
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