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volume 14 year 2018
Chapter 1
Pages
Pdf
text
Danylova V. Ye.
Life events and artistic events. Outstanding characteristics and common features
8-22
Zharkikh T. V.
Musical Stained-glasses by Olivier Messian
23-35
Yakymchuk O. M., Belova N. V.
Messiaen analyzes Messiaen: author’s comments on the piano cycle «Twenty Contemplations on the Infant Jesus»
36-49
Lobanova I. V.
“Faust” by Ch.-F. Gounod as a debut of a director E. O. Jungwald‑Khilkevych on the Ukrainian National Opera and Ballet Theater stage (1925)
50-62
Maksimenko K. A.
Music and choreography interaction in the stage dances of musical theater productions of the 17th – the first half of the 18th century
63-73
Tymoshenko A. V.
Comprehension of specifics of lyricism in Ukrainian and French songs as a component of work with the students-vocalists of Popular Music and Jazz specialization
74-91
Chapter 2
Yanko Yu. V.
Performing interpretation of the opera in the spectacles of the Opera Studio of the Kharkiv National I. P. Kotlyarevsky University of Arts in the late 20th – the early 21st century.
92-107
Kucher L. I.
Activity of the Opera Studio under Lviv State Conservatory named after M. V. Lysenko as a training subdivision in 1970–90s.
108-121
Chapter 3
Shchetynsky O. S.
Original and borrowed: correlation of the author’s and referred elements in modern musical work
122-131
Kordovska P. À.
S. Scharrino’s «Luci mie traditrici»: the musical text of the Renaissance in the modern opera
132-151
Lyan Tszitao
The specificity of interpreting the image of Vassili from the opera “Siberia” by Umberto Giordano
152-167
Nikolenko R. V.
M.-A. Hamelin’s composing and performing style in the context of postmodern aesthetics
168-180
Zhou Daping
The Theoretical Background for the Chinese Composers Piano Music Genre Peculiarities Research
180-206
Serdiuk Ya. A.
Complex structures of the virtual in the formation of an associative-figurative plan of a musical work
207-228
Kocherzhuk D. V.
Sound recording in pop art: differencing the «remake» and «remix» musical versions
229-244
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