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C O N T E N T
volume 13 year 2018
Chapter 1 Pages
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Shchetynskyi O.
Composer`s Word
 5-13
Linnik M. S.
Refl ection of the scientifi c-critical position of R. Genika in his letters to N. Findeisen
 14-26
Ivanova I. L.
“3 Piano Sonatas for the Young” op. 118 in a context of last works by Robert Schumann
 26-45
Burel O. V.
About compositions for piano and orchestra by Ch.-M. Widor. Background
 45-60
Davitadze À.G.
Ukrainian song «Ikhav Kozak za Dunaj» arranged by L. van Beethoven for piano trio and voice: genre and stylistic metamorphoses
 60-73
Kalinina A. S.
Peculiarities of the embodiment of H. Heine’s poetry translations in the vocal cycle of D. Klebanov
 74-87
Kostohryz S. Î.
Genre-style priorities for the development of composer’s work for the balalaika in Slobozhanska Ukraine
 87-99
Chapter 2
Tararoev Y. V., Netsvitay T. V.
Typology of M. G. Aranovsky musical thinking and symmetry
 100-113
Buchok L. V.
Pianoforte compositions “Etude” by D. Zador and “Impromptu” by I. Marton in the context of the problem of analysis and interpretation of the creative idea
 113-126
Tkach Y. S.
Yevhen Savchuk’s Individual Performing Style: organization of the process of conducting interpretation
 126-141
Kaushnian Y. M.
On the Model of “National” and “International” Style (Illustrated by vocalises of S. Pavliuchenko, M. Zavalyshyna, O. and R. Voronin)
 141-153
Tymoshenko A. V.
The embodiment of mater’s archetype in song genre (on repertoire material by master students of Popular Music and Jazz Department)
 153-166
Kucher L. I.
Educating the Actor Singer in the Opera Studio of Lviv M. V. Lysenko State Conservatory
 166-178
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